AnonymousM M

AnonymousM M

The poet’s profession VI

(for Philip Henry Jones) How can one justify writing a lyrical poem after Auschwitz? After rehearsing the rituals of the measures, after beating her wings against the bars of her cage, kneeling and begging for understanding, then gaining confidence to…

Dinggedicht: Okukor

(for Philip Henry Jones) From low land overflowing with treasures from plundered countries, from Jesus College which did not disown him, after the feasts of male intellectuals, with fettered feat and patterned plumage suggestive of the fine art of wax…

Dinggedicht: Shallow bowl

Roman glass was shattered by an explosion of modernism into facets which were glued together, the outline bearing the trace of hands, a vessel containing memories which croak audibly, the recreation transparent, boasting of the scars – it stands still…

Dinggedicht: Inscription

A stone was scratched and whittled to leave a trace, the darkness of the cuts illuminating the urge to commemorate, a treasure wrapped by the wind and kept for centuries, subject of a rite of wetting with rain, the message…

Dinggedicht: Amber brooch

(for Philip Henry Jones) A tree sucked from the ultra-dark earth nourishment and turned it into sap the colour of burning, which crystallized translucent around air from antiquity; Art Nouveau silver twigs hold it, frame of the living light of…

Dinggedicht: Paperweight

Turquoise claws of a wave turning but the air escaping from its grasp, trying to rise to the surface but paralysed because the water is frozen. ‘Dinggedicht: Pwysau papur’© copyright text and translation Mary Burdett-Jones 2022

Dinggedichte: Icarus

(for Christian Sloan) It is not an eagle whose wings are gold from sun seen against the white of the sky; he treads the air without the confidence of a cartoon hero, falls like a soul into hell, his burnt…